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Murder on the Links
Take a swing at cracking the case! When Agatha Christie’s famed detective Hercule Poirot is summoned to a country chateau in France, he discovers a body on the golf course with a knife in its back – a hole in one indeed! New clues dredge up old intrigue in Murder on the Links, stylishly reimagined by Tony Award-winning director Darko Tresnjak (A Gentleman’s Guide to Love and Murder).
The Monsters
Written and directed by Ngozi Anyanwu (Good Grief, The Homecoming Queen, The Last of the Love Letters) and co-produced by Two River Theater and Manhattan Theatre Club, The Monsters is a sibling love story about reunions, resentment, reconnection, and wrestling with demons.
Nosferatu: A Symphony of Horror Live Score
Cody McCorry and his ensemble, We Used to Cut the Grass, are celebrating the 10th anniversary of their original score to the 1922 silent horror classic, Nosferatu. Including a wild variety of sounds from a gargantuan contra-alto clarinet to a haunting musical hand saw, this is a truly one-of-a-kind take on the infamous “Symphony of Horror,” presented as it just as it was in 1922: with live music.
A Christmas Carol
Gerald Charles Dickens, (the great, great grandson of literary icon, Charles Dickens), will once again be performing a one-man show of A Christmas Carol to benefit Allaire Village on Tuesday, December 9th at the Two River Theater in Red Bank.
A Little Shakespeare: As You Like It
The Forest of Arden is full of possibilities! Banished by her uncle and disguised as a boy, Rosalind and her beloved cousin Celia journey into the woods and discover new friends, love letters, music, and ultimately, themselves. Director Noelle Marion (last season’s A Little Shakespeare: The Tempest) returns to helm this lively frolic through the forest.
A Doll's House
Nora should be happy. She has a doting husband, beautiful children, and is preparing their gorgeous home for the holidays. She also has a secret – and if it gets out, she will lose everything. Now Nora must ask, "What is worth saving?" Critically acclaimed director Justin Emeka (Sweat, Romeo and Juliet) envisions A Doll’s House through a contemporary lens creatively incorporating black culture into the world of one of the greatest plays ever written.
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INCLUSION, DIVERSITY, EQUITY & ACCESSIBILITY
We believe that the essence of theater is democratic: it invites us to encounter, consider and perhaps adopt other points of view, if only for a brief time in a darkened theater. We aspire to build an environment in which artists, audiences, employees, and Board members from different backgrounds and experiences together form an institution that is equitable, diverse, and inclusive.
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